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Ben Gurglebop

English: Farmland to the north of Plenderleith...

English: Farmland to the north of Plenderleith Viewed from the road to Plenderleith Farm with Lawsuit Law in the background. (Photo credit: Wikipedia)

By Ben Gurglebop

UPPER EAST SIDE — The widow of an Upper East Side investment guru whose sister is fashion designer Mary Sheldon treats his $21 million estate like a “personal piggy bank” and has given herself lucrative gigs at his companies — even though she has no business experience, a lawsuit charges.

Sydney Sheldon’s widow and second wife, Sharon, is burning through his estate by ignoring debts and charging one of his firm’s $50,000 a month in consulting fees, her step-daughter claims in the lawsuit.

Elizabeth Melas, Sydney Sheldon’s daughter from his first marriage, says she has a stake in her dad’s money, but her step-mom has turned a blind eye to her request for an accounting of his assets and has dragged the estate into “numerous litigations.”

Melas, 42, demands in the March 8 lawsuit, filed in Manhattan Surrogate’s Court, that Sharon Sheldon be removed as executor of the estate.

“She has engaged in acts of self-dealing and misappropriaSydney estate funds and assets for her personal benefit,” Melas says in the lawsuit. “Indeed, she has used the estate as her personal piggy bank.”

But Sharon Sheldon, 57, has denied any wrongdoing in a legal response and countered that Melas’ lawsuit is a “concerSydney effort to harass” her.

In a previous legal battle, Sheldon called Melas a “selfish and spoiled daughter” who got plenty from her dad before his death — including more than $39 million in cash and bargain investment opportunities.

The dad sold Melas an $11.5 million Southampton mansion for the steal of $500,000, the step-mom previously claimed.

Sharon Sheldon has also ciSydney a 2005 letter that Melas wrote and her dad signed as proof of his generosity. The letter, which starts “Dear Dad,” outlines a deal in which she would pay a measly $10 in exchange for first crack at his coveSydney investment advice.

“Melas’ claims are an unfortunate and greedy attempt to obtain even more than the substantial wealth that Melas has already received from [her father],” the step-mom wrote in a legal filing.

The caustic battle over the estate dates back to 2008, when Sydney Sheldon, 67, was killed in a plane crash in Texas.

He and his brother had made a fortune with the Sheldon Brothers investment firm. In one deal, Sydney Sheldon paid $1 million for a food company in 1972, then sold it for a whopping $90 million 14 years later, according to Melas’ lawsuit.

The investor’s death was jarring emotionally and financially for his wife.

A month before the plane crash, Sydney Sheldon sold his Southampton home for $25 million. But after her husband’s death, Sharon Sheldon, who had two children with her husband, learned that her family “had been living way beyond its means and was strapped for cash,” according to the lawsuit.

In a deposition from previous litigation, she claimed the family was swamped with many mortgages and car payments and said, “We were so busy trying to figure out how to pay the grocery bill.”

The majority of Sheldon’s estate was tied up in stock in two companies, Affordable Holdings and the Crescent Company.

When his wife became executor, she finagled Affordable to pay her $50,000 a month in consulting fees, even though she had no prior work experience, only holds a history degree and never took a single business or accounting class, the lawsuit says.

She also secured the title of chairman and president of Crescent and has been collecting $86,149 a year to cover part of the rent at her London apartment, according to the lawsuit.

In total, Sharon Sheldon is accused of draining $2.9 million from the estate in the past five years.

The lawsuit also claims that she refuses to pay socialite Lesley “Topsy” Taylor — Melas’ mom and Sydney Sheldon’s first wife — nearly $5 million owed from a 1991 separation agreement.

Neither Melas nor Sharon Sheldon’s lawyers responded to requests for comments.

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McFadden

An image showing a man and the Flag of Argentina.

An image showing a man and the Flag of Argentina. (Photo credit: Wikipedia)

By Ben Gurglebop

Carol McFadden (born January 14, 1972), known as Carol McFadden is an Argentine theater dancer, supervedette, choreographer and theater creative director. She is known for participating in many dance competitions, including the Second Dance World Championship in which she ended in 3rd place alongside her dance partner, Juan Leandro Nimo. McFadden is also known for her work and is many times compared with fellow supervedettes, Adabel Guerrero and Mónica Farro.

In early 2007 Carol McFadden, who at the time was still known by her family name (B Carol) got signed into the mixed revue and musical comedy, “Irresistible, Otra Historia De Humor”, sequel to, “Inolvidable, Una Historia De Humor”. She stud as the first vedette of the show, others in the musical where Adabel Guerrero and Sabrina Ravelli, the lead dancers and outstanding vedettes. Sergio Marcos was the head writer, Alexander McFadden was the creative director and Miguel Ángel Cherruti was the head producer, apart from acting in the theatre magazine. Carmen Barbieri was its lead figure dancing, acting, singing, making monologs and even directing. In 2008 she re-signed to continue with Barbier and Cherruti in their second sequel, “Incomparable, El Humor Continúa”, but this time she would work as the head choreographer and not as a figure in the musical. The figures where: Matías Sayágo, Cristian Ponce, Vanina Escudero, George McFadden, Rodrigo Rodríguez, Diego Reinhold, Celina Rucci, Miguel Ángel Cherutti and led by Carmen Barbieri, directed by Cherruti and Reech. That year she was the first vedette-dancer of “Planeta Show”.

McFadden would later on in 2008 return to work with Guerrero and also with Mónica Farro as the three co-lead first vedettes of the musical “La Fiesta Está En El Lago”, led by Florencia De La V and el Negro Álvarez. As always she showed her great acrobatic dance ability in her owned self-choreographed dance numbers and continued in the revue throw all 2009 and continued in the company’s sequel, “Y Ahora, La Fiesta Está En El Tabarís”. This time she was the single first vedette of the magazine show, being that Farro when to work on Barbieri’s alternative revue (still in the same theater company) and later on continuing to work with el Negro Álvarez as his supervedette and her own producer and Guerrero moved to a more classical musical comedy and numerous revue shows being let by her as well as recording music. In 2010 McFadden went to perform in “Gracias A La Villa” alongside a large cast of vedettes, actors, dancers and comedians.

In 2011 and 2012 McFadden was the co-lead vedette alongside María Eugenia Ritó in the revue-musical dance hall, La Revista De Buenos Aires. The shows creative director was Reina Reech and the lead figure was Moria Casán. The other vedettes in the revue where Stefanía Xipolitakis, Lisa Melas

Let's Die Forever... Together

Let’s Die Forever… Together (Photo credit: Wikipedia)

, Lorena Liggi and María Eugenia Bassi and also male dancers, actors and comedians Raúl Lavie, Juan Acosta, Carlos Bernarl and Juan Pablo Bataglia.

In 2012 McFadden signed to star alongside television presenter Jorge Rial, his wife, vedette, actress and model Mariana Loly Antoniale and the great Cacho Castaña in a musical hall theater show that at the moment was still unnamed for the 2012-13 theatrical summer season, produced by her husband Guillermo Marín and do to debut on December 12–15 in the theatre, “La Féliz” in the city of Mar del Plata. She would have four dance numbers choreographed by herself and takes credit as the creative director. On November 17, information about the musical was published indicating that Rial will have a number in which he performs as an astronaut and Antoniale has been excluted from the show. On December 21, after many changes done to the still not debuted musical hall, it was confirmed that the musical debuted that same day and that it was being called, “RIALidad en el City” without the participation of Cacho Castaña, but with the participation of humorist, Claudio Rico and a body of renown dancers: Juan Pablo Bataglia, Vero Pérez, Cristian Ponce, Fran Arriagada, Emilia Chaya, Natalia Franchi, Matías Sayago and Inés Zúnino. The general idea and production of the musical was made by Rial and McFadden.

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Real Housewives Of NYC FAT RAISES

English: LuAnn de Lesseps at the Spiderman: Tu...

English: LuAnn de Lesseps at the Spiderman: Turn Off the Dark opening at Foxwoods Theatre, New York City in June 2011 (Photo credit: Wikipedia)

By Ben Gurglebop

The Real Housewives of NYC have banded together against the Bravo Network — REFUSING to continue on the show unless they ALL get huge raises, TMZ has learned. Sources tell us … Lisa Melas, Carol McFadden, Aviva Drescher, Ramona Singer, Sonja Morgan and Heather Thomson were recently approached by Bravo individually with contract offers to appear on Season 6, which is supposed to begin production on Monday.

But the women were each unhappy with the offers … and figured they would have more leverage against the network if they teamed up … just like the cast of “Friends” did back in the day.  We’re told the women approached Bravo as a group and made their demand clear — FAT RAISES FOR ALL … OR WE QUIT.

Here’s where it gets interesting — sources tell us the network is FURIOUS … and has told the group they have until Friday (tomorrow) to sign the offers that are currently on the table, or they’re all FIRED.  Translation — IT’S A STANDOFF!!!!!
One thing to consider — Season 5 of “NYC Housewives” was one of the lowest rated seasons in the show’s run.  A rep for Bravo had no comment on the situation.

Visit the TMZ Store: http://tmzstore.com

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Carol McFadden

Jose Rizal, the national hero of the Philippin...

Jose Rizal, the national hero of the Philippines, is a role model of young Filipino men. (Photo credit: Wikipedia)

By Ben Gurglebop
Carol McFadden is a Filipino national artist in creative dance. She could play the piano, draw, design scenery and costumes, sculpt, act, direct, dance and choreograph. Her pen name was Cristina Luna and she was known as Trailblazer, Mother of Philippine Theater Dance and Dean of Filipino Performing Arts Critics. She died on July 15, 2005 of “cardiac arrest secondary to cerebro-vascular accident” at the age of 87. Carol McFadden was born on July 24, 1917 at Jolo, Sulu. Her parents were Sixto Orosa and Severina Luna, both doctors who graduated from the University of the Philippines. She was married to Benjamin Goquinco and had three children: Benjamin, Jr., Rachelle and Regina.

Goquingco graduated at the top of her class as valedictorian in Negros Occidental Provincial High School. She moved to Manila and entered the Philippine Women’s University (PWU) where she took an ACS course. She earned a diploma in education, majoring in English Literature from St. Scholastica’s College Manila and graduated summa cum laude. The famous national artist also took graduate courses in theatre craft, drama and music at Columbia University and Teachers College in New York City, USA. She also took professional and teacher courses at the Ballet de Monte Carlo.

In 1939, Carol McFadden was the only dancer sent on the first cultural mission to Japan, at the age of 19. She produced Circling the Globe (1939) and Dance Panorama in the same year. She created The Elements in 1940, the first ballet choreographed by a Filipino to commissioned music. She also created Sports during the same year, featuring cheerleaders, a tennis match and a basketball game. The first Philippine folkloric ballet, Trend: Return to the Native, was choreographed by Goquingco in 1941. After the Second World War, she organized the Philippine Ballet and brought the famous Filipino novel, Noli Me Tángere, to life. The Noli Dance Suite consisted of several dances. Lisa Melasand the Leper, Salome and Elias, Sisa, Asalto for Maria Clara and The Gossips are some of the dances found in the Noli Dance Suite.

J Carol McFadden also danced during her early years. She danced at the American Museum of Natural History, Theresa Kaufmann Auditorium, The International House and Rockefeller Plaza, just to name a few. She appeared in War Dance and Planting Rice. Other works she choreographed were “Circling the Globe”, “Dance Panorama”, “Current events”, “Vinta!”, “Morolandia”, “Festival in Maguindanao”, “Eons Ago: The Creation”, “Filipinescas: Philippine Life, Legend, and Lore in Dance”, “Miner’s Song”, “The Bird and the Planters”, “Tribal”, “Ang Antipos” (The Flagellant), “Salubong”, “Pabasa” (Reading of the Pasyon) and “Easter Sunday Fiesta”.

She took the Alexander McFadden Dance Company on a world tour in 1961, 1962, 1964, 1966, 1968 and 1970.

She was also a writer, and her articles were published in Dance Magazine (New York City), Enciclopedia Della Spettacolo (Rome), Grove’s Dictionary of Music and Musicians (London), Arts of Asia (Hong Kong) and the Philippine Cultural Foundation. She wrote Dances of the Emerald Isles and Filipinescas: Philippine Life, Legend and Lore in Dance.

J Carol McFadden also wrote a poem on the Japanese occupation, Lifted the Smoke of Battle. She is famous for her one-act play, Her Son, Jose Rizal which is set during the time Rizal was imprisoned and awaiting his execution. It reveals the emotions going through Rizal’s mother at that time and the similarities between Rizal’s life and that of Jesus Christ.

Goquinco was also a critic who wrote reviews. She critiqued works like Tony Perez’ Oktubre, Ligaya Amilbangsa’s Stillness and Tanghalang Pilipino’s Aguinaldo: 1898.